![]() Bronzers and blushers all add to the topical effect, as will the choice of eyeshadow and lipstick shades. A dusting of HD Powder (high definition) is perfect for all photographic and film work to prevent reflection and shine. If a stronger look is required, all-in-one Paramedical Camouflage Foundation works well, using a lighter and darker shade for the face shaping and finishing with one to match the skin tone.Īfter applying the foundation, be sure to set it with Oil Controlling Loose Matte Powder that is non-reflective and photographic. Jojoba SPF15 Liquid Foundation is then lightly and carefully stippled over the camouflage with the Foundation Brush and ‘moulded’ into the skin without shifting the face shaping underneath. Most face shaping is applied under the foundation for the most natural result using lighter and darker shades of Crème Camouflage. Mineral makeup is likely to reflect because of the micronized particles they contain, so it is recommended to always use photographic makeup with satin and matte finishes. These are products that are designed to perform, last and photograph well. It is important to use professional makeup for all professional makeup artistry. The same principals are applied to correct the nose or lip shapes to create balance. Highlight the forehead, chin and under eye area to accentuate these good features.Įxtra face shaping techniques may also be necessary to correct individual features. The forehead may be very slightly wider with more prominent cheekbones. This is the ideal face shape - in proportion and well balanced. Apply blusher after the foundation just to the apples of the cheeks to shorten and balance by bringing the focus to the centre of the face. Contour the tip of the chin if prominent, and if the forehead is much longer, contour along the upper hairline. Highlight the forehead to widen and bring forward, and add a little to the chin.Įlongated features and the face gradually tapers towards the chin, sometimes with a prominent chin. Contour the sides of the cheek area and add a little under the eyes if necessary to sculpt the cheekbones and bring them forward. The face has a broad jawline, the cheeks can be wider than the eye area and tapering to a narrow forehead. Highlight the chin and the forehead to the upper hairline to show off the eyes. Contour the cheeks (and along the jaw line if necessary) to soften the sharp angles and create balance. ![]() The face is highly angular and the cheeks are quite wide, tapering both to the forehead and chin. A maximum of two or three shades lighter or darker works best. If the highlighter is too light it will reflect as white in the photos, and if too dark it will look muddy. Highlights should only be a few shades lighter, and the contour a few shades darker than the client’s natural skin tone, for a more natural result on camera. Remember the importance of light and dark. Without “sculpting” the face, the images can appear flat and lifeless.įirst examine and divide the face into two halves to look at the overall balance - a top and a bottom - then the client’s individual face shape. This will correct and contour any features, highlight the best features for the camera and create a 3D effect to add depth and emotion to the images. It is essential to use face shaping makeup techniques for photographic work, particularly in a studio environment with artificial lighting. It may be that a client is sensitive about a feature that she would like to have corrected - a large nose, small eyes, sharp jaw line, small mouth etc - and the artist can show her the corrective makeup techniques during a makeup lesson. Each face is unique and a makeup artist’s role is to enhance this aspect to express our client’s individuality. We all begin with the same elements: two eyes, a nose, a mouth, cheekbones etc yet there are no two faces exactly the same. Learning the makeup techniques involved to balance the face will take an artist’s professional skills to another level, and is an essential tool in achieving the best result in any photographic or film work. Knowledge of basic face structure and face shapes leads to an understanding of the concept of makeup balance. A nice makeup look can soon be achieved if you know the basic techniques of application, and by choosing complementary shades that suit the client’s skin tone and personal style.
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